Favela on Blast is the directorial debut of Wesley Pentz (better known as DJ and producer Diplo) and Leandro HBL. A true labor of love and years in the making, the documentary explores Brazil’s vibrant musical subculture called Baile Funk, as Pentz travels deep into favelas to examine the artists and communities that have helped shape this culture, as well as the output of his Mad Decent label.
Really looking forward to watching this. You can get a digital copy for only $5 here.
DJ and director Jony Lyle hopes to shed light on the world of vinyl collecting, focusing on collectors who’s vinyl curiosities began way before the hype hit. People like Questlove from the Roots, Chuck D from Public Enemy, DJ Amir, Bobbito Garcia, Bruce Lundvall, Christian Marclay and Paul Mawhinney are featured. Can’t wait to check this out, and until then you can read an interview with Lyle here.
I first heard about Hypnotic Brass Ensemble when someone posted a youtube clip of a New York Times feature (see bottom) a few years ago, and it was the first time in a long time that I remember being truly blown away by music. Comprised of 8 members, 7 of them blood brothers of the trumpeter and former member of Sun Ra’s Arkestra Phil Cohran, the group started out as a street ensemble, hypnotizing audiences on the streets and subway stations of Chicago before moving to New York. Picking up influences from their father, and combining that with their own interests in hip hop and soul, HBE’s music is an infectious cocktail of brass and rhythm that reminds me a little of Kashmere Stage Band’s material.
Over the past couple of years their career has really taken off, having recorded with Eryka Badu and Mos Def, as well as releasing a number of 7″ and 12″ singles, and their first official full-length album on the Honest Jon label in 2009. If any story deserves to be told it’s of these guys, and filmmaker Reuben Atlas is making it happen with his documentary Hypnotic, scheduled to be released later this year. Check out the trailer below.
I began filming in the fall of 2006, during my last year of law school. (I snuck in shoots between classes and visits to the library.) Hypnotic’s music is what sparked my initial interest—it also helped me pass the bar exam—but it was their nomadic, Utopian existence and deep commitment to uphold their family’s values that inspired the documentary. About six months into filming, the band’s career started to take off and I was fortunate enough to capture their evolution. The feature-length documentary is scheduled for completion by the summer of 2010.